Our congratulations to John W. Sexton, winner of the 3rd Five Words competition, for his poem The Dancehall on the Summit of the Bloodiest Head of the Twenty Six Headed Giant. John will be the guest poet at Ó Bhéal’s 9th anniversary event on April 11th. Our congratulations also to all of the shortlisted entrants, and for highly commended entries from Beth Somerford and Janet Lees. Thanks to everyone who took part this year, and to judges Marie Coveney and Colm Scully for their careful and considered selection.
| The Dancehall on the Summit of the Bloodiest Head of the Twenty Six Headed Giant | by John W. Sexton (Ireland) winner |
| Tuesday on a Fulcrum | by Beth Somerford (England) highly commended |
| Commuter | by Janet Lees (England) highly commended |
| The Night of the Nightjar | by Mary Anne Smith (England) |
| Tribes | by Pam Szadowski (England) |
| An awful hush | by Jenny Pollak (Australia) |
|
Chinese Zodiac: Year of the Fire Monkey |
by Tamara Miles (U.S.A.) |
|
An unread novella in a charity shop |
by Janet Lees (England) |
| Igloo | by Shirley Bell (England) |
| Ragwort | by Derek Sellen (England) |
| A Coin in the Soft Machine | by John W. Sexton (Ireland) |
| Sky, an Open Window | by Tamara Miles (U.S.A.) |
These poems will appear in Five Words Vol IX, which will be launched at Ó Bhéal on Monday the 11th of April 2016, along with an award presentation and readings from available contributors. The 4th Five Words International Competition will commence at noon on Tuesday the 12th of April, 2016.
at Ó Bhéal
– How can Poetry-Films widen the intersection shared by captive literature and film audiences?
It’s perhaps too early yet to tell, but there’s a strong indication that punters have been arriving earlier since Ó Bhéal invited the poetry-film muse of audio-visual word dimensions into its weekly event: a high-quality, discretely mounted … (dervish whirl now) … DV projector and ceiling screen (the screen in the image appears quite large in reality). Which means, that beyond opening the programme to an array of previously inaccessible poetry-based multimedia works, and since Ó Bhéal’s first film-with-live-poetry event was held on January 11th (Breakfast with Padraig), we’re now confident that we’re suitably able to present poets who concentrate in the ekphrastic and/or concrete realms (we have confirmed readings with poets who excel in both of these genres for later in 2016).
Ó Bhéal’s by now buRSTing! archive of poetry films, steadily growing since 2010, includes over 300 poetry films ranging from thirty seconds to ten minutes in length, and these are being screened in random from 8.30pm, every Monday played on reduced volume as people arrive. They run for an hour, until the usual proceedings commence, at 9.30pm. A single poetry film is also highlighted on the night to start off the open-mic section, the final part of the event. These include all shortlisted films entered into the annual Ó Bhéal/IndieCork International Poetry-Film Competition.
Are there any enthusiasts, entities or fans out there we wonder, who would consider sponsoring the annual Ó Bhéal poetry-film award? We’re seeking to implement a single cash prize for the winner of Best International Poetry-Film, presented at the IndieCork awards ceremony to accompany the physical award. This will attract more entries and further validate Ireland’s first such accolade. The rapidly growing genre is gradually taking hold locally too, with more and more regional entries arriving to compete each year with the world’s leading innovators in the dance of film and word. One of the two 2015 competition judges: local filmmaker Padraig Trehy {Shem the Penman Sings Again (2015); Seamus Murphy: A Quiet Revolution (2014-)}, has been having his film students translate poems into poetry-films at the Crawford College of Art and Design. Poetry and Film? It’s a truly remarkable combination of forces. When it works, it is something to behold. With two multilayered art forms working their magic in rhythm, it does seem like anything’s possible.
followed by the open-mic
For those who missed our end of year reading with Philippe Beck we have all 6 of his poems with English translations on video for you. Philippe gave a wonderful reading followed by a brilliant and large open-mic to end off the year. With thanks to Shane Vaughan for capturing the footage.
(or view on the Ó Bhéal Youtube channel).
The 3rd Winter Warmer festival at Sample Studios was a great success, with a superb line-up of local and International poets from three continents. We have 33 videos for you to view, one from each guest poet’s reading/performance at the festival (in order of appearance), including poems from the closed-mic session.
(or on the Ó Bhéal Youtube channel).
Guest Poet and Open-Mic videos
(also on the Ó Bhéal Youtube channel)
A class night of jazz-poetry with Afric McGlinchey and Michael Ray accompanied by The Blue Notes jazz trio, and followed by an excellent open-mic for our 8th jazz-poetry night. The videos (filmed by Shane Vaughan) of both the main set and the open-mic follow.
The videos are here
12th October 2015
Congratulations to Cheryl Gross, whose superb film In the Circus of You is the winner this year’s poetry-film award at the IndieCork Festival of Independant Cinema & Music. Cheryl’s film was in competition with thirty shortlisted entries from 13 countries, which you can read about here. Our thanks go to all the filmmakers for submitting, and what a delight to view such a range of world talent and excellent variety of work. Thanks are also due to Zata Banks from PoetryFilm for her marvellous archival work and richly imaginative presentation of avante-garde poetry-film experimentations.
Poem: In the Circus of You by Nicelle Davis
Synopsis – a visceral spectacle of controlled excess; it dismantles the three rings we use to contain our most domestic horrors and shows us the way through vulnerability to release. Nicelle Davis’s poetry mythologizes pain, makes grief, anger, disgust, and fear bearable by transforming them into finely wrought poems. These poems are filled with sharp edges, dissections, illusions, and images of flight; both in their language and in the ways they occupy the page. They are perfectly matched by the animation and drawings of Cheryl Gross, who translates Davis’s poetry into an equally grotesque, equally eloquent visual language.
Director: Cheryl Gross (U.S.A.)
Born and raised in Brooklyn, New York, Cheryl Gross is an illustrator and motion graphic artist living and working in the New York area. She is a professor at Pratt Institute and Bloomfield College.
“I equate my work with creating and building an environment, transforming my inner thoughts into reality. Beginning with the physical process, I work in layers. I am involved in solving visual and verbal complexities such as design and narrative. My urban influence has indeed added an ‘edge’ to my work.” Many have compared Cheryl’s work to “Dr. Seuss on crack.”
“Too many poetry films apply great cinematography to bad poetry and sometimes great poetry is left down by less than fully committed visuals. Here is a poetry film where the aesthetic accomplishment and craftmanship of the cinematography and the poetry are equal. Gross’s animation remains faithful to Davis’s text while not compromising its own ambition. Gross has demonstrated great taste and discernment in investing her talent as a cinematographer in poems which demand your attention with captivating subject matter and their awareness of language as a musical medium.”
Our hearty congratulations go to Derek Sellen, winner of the second Five Words competition for his poem Survivor. Derek will be the guest poet at Ó Bhéal’s 8th anniversary event in April. Our best wishes go to all the shortlisted entrants, and for highly commended entries from Afric McGlinchey and Adannaya Igwe. Thanks to everyone who took part this year, and to judges Billy Ramsell and Jennifer Matthews for their excellent choices.
| Survivor | by Derek Sellen (England) winner |
| Sonnet in B Major | by Afric McGlinchey (Ireland) highly commended |
| Home Cooking | by Adannaya Igwe (UK) highly commended |
| Saved | by Liz Smith (England) |
| Breakfast | by Sheena Blackhall (Scotland) |
| At the Hair Clinic | by Derek Sellen (England) |
| The Snooze Button | by Margaret McCarthy (Ireland) |
| The Sectioning | by Bernadette McCarthy (Ireland) |
| I Coin a Line | by Mary Fahy (Ireland) |
| The Stereogram | by Anthony Scott (England) |
| Black Mountain Rebel | by Tess Sheridan Adams (Ireland) |
| False North | by John W. Sexton (Ireland) |
These poems will appear in Five Words Vol VIII, to be launched at Ó Bhéal on Monday the 13th of April 2015, along with an award presentation and readings from available contributors. The 3rd Five Words International Competition will commence at noon on Tuesday the 14th of April, 2015.
followed by the open-mic
For those who missed our end of year reading with Liz Lochhead (the Scots Makar / National poet of Scotland), we have all 13 of Liz’s poems on video for you. Liz gave a fabulous reading and an excellent open-mic followed to end off the year. With thanks to Rab Urquhart for capturing the footage.
(or on the Ó Bhéal Youtube channel).
The 2nd Winter Warmer festival at Sample Studios was a resounding success, with a mighty array of exceptional poets drawing fantastic crowds throughout. It’ll be more than difficult to match next year, but that won’t stop us trying! We have one video from each guest poet’s reading/performance at the festival (in order of appearance), including the closed-mic.
(or on the Ó Bhéal Youtube channel).
Guest Poet and Open-Mic videos
(also on the Ó Bhéal Youtube channel)
A class night of jazz-poetry with Patrick Cotter accompanied by Mo O’Connor, Pat Barrett and Niall Dennehy, and followed by an excellent open-mic for our 7th jazz-poetry night. The videos (filmed by Stephen O’Riordan) of both the main set and the open-mic are here.
